Archive for year: 2014

I recently discovered Marilyn Todd, author of the Claudia Seferius mystery series, on the Facebook Roman history readers group and read the first book, I, Claudia, in a very short space of time on holiday this summer. I, Claudia was published in the 90s in mainstream, but the series has been re-released with the help of the internet, and is well worth discovering. Marilyn agreed to an email interview with me, and so herewith, the full email she has just sent me.

Morning, Alex!

Bet you thought I’d forgotten about you. No such luck!!

First off, I want to say thank you the interview, and congratulations on the success of “Watchmen”, it’s very well deserved. I know exactly what you mean about time being too short, and strangely, writing gets harder, not easier, as it passes, where’s the justice in THAT??? Anyway, back to your list………!

The obvious question for anyone reading your Claudia Seferius books, is how much of Claudia do you see in yourself? How much of her is based on who you are or who you would like to be?

Claudia is devious, manipulative, a cheat and a liar — and those are just her good points. Remember, this is the girl who says “there’s no point in having double standards, if you don’t live up to both. I may have my faults, but being wrong isn’t one of them. And the best way to make a small fortune is to start with a large one”. Now I ask you, Alex. Does that sound like me….?

Having said that, Claudia and I do share a love of red wine. (Not for nothing did I put her in the wine trade). We both have a strong sense of justice, neither of us are pushovers, and we both like to travel. Again, no coincidence that the series is set amid some of the most beautiful sceney in Europe, and that, being thrillers, invariably climax in spectacular locations.

“Man Eater” ends at the unbelievably dramatic Marmora Falls in Umbria, which crash more than 500’ straight down and which were, wouldn’t you know it, created by the Romans when they diverted the river. In “Black Salamander”, retribution takes place within the largest ice cave in Europe. While much of the action in “Dark Horse” is in the Plitvice region of Croatia, where something like sixteen waterfalls tumble down the valley in a five kilometre long series of cascades, inspiring me to call it The Land of a Thousand Waterfalls in the book. Although in fairness, I may have been out by a couple.

And of course, is Orbilio your ideal man?

Orbilio is Claudia’s ideal man, I created him specifically for her, but he does share many of the traits I like and admire in a man. He’s honourable, honest, pragmatic, tough and unflappable. And of course as a couple, they are very, very funny.

How do you feel that Claudia has her own Wikipedia page and you don’t? Is it a strange feeling for the character you have created to find her way out into cyberspace on her own?

Until you mentioned it, I didn’t even know Claudia had her own page. I looked it up, and frankly, I’m impressed. It’s very well put together, but again, that’s absolutely typical of Claudia. “Too much of a good thing is wonderful”, she’d say. And naturally she’d have someone set it up for her. But me? Think I’ll stick to the website!!

Your books evoke the period well. Do you have a background in history, or like many historical fiction authors, have you done the research as an “amateur?”

Thank you. My passion lies in Greek myths and legends, which spill over into Rome of course, but I’m certainly no historian, nor would I want to be. I’m a storyteller pure and simple, spinning tales across all time periods and genres, from crime to comic fantasy and all points in between. When I was asked to write the Cleopatra ‘exclusive’ for the Mammoth Book of Egyptian Whodunnits, I knew absolutely nothing about the woman, apart from “take your hand off my asp,” which probably doesn’t count. Even less about the life of Charles Dickens, when I was invited to contribute to the Dickensian collection, in which every story had to feature the man personally. And ”The Wickedest Town in the West” was set in Jerome, Arizona, during the gold rush. This won me an Ellery Queen Readers Award, of which I am very, very, very, very proud, the point being that all these needed to be thoroughly researched in order to bring the stories to life. Readers need to live the experience. Be part of it.

Orbilio works for the Security Police. Is this organisation based on a real historical group such as the Triumviri Nocturni, or the vigiles who were formed a little after your novel is set, or are they a fictional device to help with the plot?

Informants and spies were everywhere in Rome, and given the vast number of plots to assassinate, overthrow, rebel and reform, it stands to reason that someone would be charged with co-ordinating the intelligence. If the Spartans had the Krypteia, I thought…why not Rome? I call them the Security Police for the simple reason that I want to make my books easy to follow for readers who know nothing about Rome, but want a bloody good thriller with a bit of humour thrown in. Or to put it another way, I don’t want anything slowing them down!

The Claudia Seferius series is a new find for me, though it was written some time ago. Have you found that the likes of Amazon, e-books and the internet has brought new life to your older books?

Gosh, yes! The big difference was cracking the American market. US publishers didn’t believe that level of irony was suited to historical crime, indeed, dare I say it, many of them didn’t even realize it was funny. Luckily, Jay Hartman at Untreed Reads saw things differently, and now the series is really starting to take off. But the biggest bonus, at least for me, is the chance to interact with my readers. It’s brilliant. I love it.

How do you see the publishing world changing in the near future, and do you think you will stick with mainstream publishing, embrace independence and e-books, or some combination?

For me, it’s 100% mainstream publishing. I have a very successful career in the short story market, tons of projects in the pipeline, and an absolutely amazing agent. As for the industry as a whole, I suspect Indie publishing will slow down as it runs out of steam, but when it comes to predicting the future, I reckon we’ll have 3D printer babies before I know the answer to that.

What next for Claudia and for Marilyn?

I have a couple of short stories lined up for Claudia, as well as the outline for a 14th novel, “Whip Lash”. Several other short stories are also in the pipeline, including “Who Pays the Piper”, which is my take on the Pied Piper of Hamelin, and which will be published in Ellery Queen Mystery Magazine shortly. Meanwhile, a totally new departure for me – male protagonist, no humour, yikes! — is currently with my agent, in readiness to be touted around. An American publisher is putting out a collection of my short stories later this year, and if that’s not enough to keep me quiet, I’m putting the final touches to a contemporary novel which has absolutely no crime whatsoever, while putting together ideas for a new historical crime series.

Again, Alex, thank you for inviting me to contribute. (For some reason I can’t get the wretched margin to go back from indent!!) Look forward to reading your sequel,

With very best wishes,

Marilyn.

Does it matter that Commodus was killed in the bath rather than in the arena, the story told in Gladiator (sorry for spoilers, but the film is rather old now)? Does it matter that according to Tacitus, Nero wasn’t in Rome while it burned, contrary to Peter Ustinov’s portrayal in Quo Vadis? Does it matter if Brutus was more likely to be Caesar’s illegitimate son than his childhood companion, as told in Conn Iggulden’s Emperor:Gates of Rome (or indeed that Caesar, the subject of the Emperor series of books, was never Emperor)? Maybe it doesn’t. I chose the above three examples because they are all great pieces of fiction that I love. Gladiator is probably the best film about Ancient Rome that I have seen, Quo Vadis was a great piece of cinema for its era, and Conn Iggulden seems never to put a foot wrong when it comes to fine, keep-the-page turning action packed blockbusters. I know little about the Mongols or the War of the Roses, but have read all of Iggulden’s books on the series, and thoroughly enjoyed them (when is the sequel to Stormbringer coming Conn? Write faster!). And yet, I haven’t read the whole series of Emperor. I read the first book and loved it, but when I realised the big rewrite of history, I stopped. I still want to read the rest of the series, and I’m sure I will enjoy them because I love the writing and I love the period. But I also read historical novels to be informed about a period. I feel there is an unspoken compact between author and reader to tell the truth about a period, and when that compact is broken, it takes you out of the moment, and spoils your ability to suspend disbelief.
I read some fantasy books. Not as many as I used to, but I am currently on book eight out of ten of the enormous Malazan Book of the Fallen Series by Steven Erikson. Dragons, Crippled Gods, magic swords, ghosts. I can suspend my disbelief and enter this realm, because it is internally consistent, and is not trying to tell me that this is what really happened (at least not on earth. In the multiverse, who knows?). But in writing historical fiction, the author is writing about a place and time that is known and is real. And when the story contradicts the known facts, that can upset the readers. I’m not saying it’s easy. I’m not even saying I’m right about this. As a writer, I know why authors do it. They feel that the story, the entertainment, comes first. After all, this is fiction, right? If the story works better, because the hero uses a type of helmet that wasn’t invented for another hundred years, that’s worth it isn’t it?
The sales figures would seem to agree. In Hollywood, historical accuracy has always seemed to come a poor second to a storming plot, and yet it doesn’t stop films like U-521 becoming a blockbuster (it was the British not the Americans that captured the Enigma machine dammit!). Or Robin Hood Prince of Thieves (you land at the White Cliffs of Dover, and in a day you have walked to Nottingham via Hadrian’s Wall?) And Conn Iggulden is one of the most exciting and bestselling authors of Ancient Roman fiction out there.
So, maybe most people would rather the story and characters worked, than every historical fact was accurate. But can’t we be greedy? Can’t we have both? Okay, so it might need a little work to make your plot fit the known facts. But isn’t it worth it, to keep everyone happy, both the crowd that don’t know their Catullus from their Cato, and the know-it-alls who will point out that *that* style of pottery wasn’t prevalent in that region for at least another 150 years?
Mistakes will happen. Some fiction authors, like Harry Sidebottom, are authorities on the era they are writing about. Most, like me, are enthusiastic amateurs, and despite their best intentions, errors may find their way in. Furthermore, historical fiction authors can and should flesh out the known facts with conjecture to make the period come alive. That’s the great advantage historical fiction has over historical non-fiction.
There may also be more than one interpretation of the historical record, and I am fine with simply picking your favourite. What I am arguing against is the deliberate alteration of facts to fit the story. To alter the facts for effect risks the sort of scene that happened when I went to see the recent film Pompeii (I had mistakenly thought it was based on the excellent Robert Harris novel). There were only five of us in the cinema, two friends that I had dragged along, myself and two other elderly gentleman, who were sitting in different parts of the cinema. One of my friends decided to have some fun and addressed the other cinema goers: “My friend here is an author of Roman fiction, are you?” Both the others nodded that they were in fact Roman authors. Hmm, not such an elite breed, then. The film was a strange affair, with pieces pinched from Gladiator and some rather odd decision-making by the heroine. But what made it for me was when the film ended, and one of the gentleman in the audience proclaimed, “Well that was a load of bollocks. There were no pyroclastic flows at Pompeii. They should have called it Herculaneum!”
So, here is a stick to beat me with in the future. In Watchmen of Rome, no doubt I have made mistakes in the historical facts. Some may be lack of research on my part, some may be because these things are simply unknown by anyone. But what I will pledge is that in Watchmen, and all my future historical fiction, I have and will stick to the facts as I understand them. Of course, I reserve the right to completely change my position on this. Especially if a producer from Hollywood calls me, cheque book in hand, with the words, “Al, I love what you have done there. But our focus groups say the whole thing would play much better with the audiences if Sejanus was a lesbian.”

So Watchmen of Rome has been number one in the amazon.co.uk Ancient history charts for nearly two weeks now! Thanks everyone for buying. Please leave a review if you feel motivated to.
In other news, I have 10,000 words of the sequel written now, starting to get into the meat of the story. A few people have asked when the next one is coming out. I’m on it! Hopefully will get Bandits of Rome out this year. I also have the sequel plotted and 15,000 words of it written, so Furies of Rome might not be too far behind.
in the meantime, Carbo and the Thief, and Other Tales of Ancient Rome, a collection of 6 Roman short stories, four of them from Carbo’s world, will be hitting Amazon soon at a bargain price. Watch this space!